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December 4, 2022 • Why, yes, we would like to “Ease on Down The Road” if the road in question is...
December 1, 2022 • Review: Mr. Dickens and His Carol by Samantha Silva adapted from her novel. Developed with and...
November 5, 2022 • Seattle Shakespeare Company opened their 2022/2023 season with a beloved staple of the...
October 17, 2022 • Our Constitution is not a very long document for such an important...
September 30, 2022 • Who doesn’t love a trip?!? Especially one down memory...
September 26, 2022 • The news that Theatre 22, the excellent small LGBTQ+ focused local theater company, was...
September 24, 2022 • It’s September which means it’s time for local theater to shake off the cobwebs...
June 18, 2022 • If you are a “reader,” and you love how novelists artfully draw...
June 12, 2022 • Hundreds of new plays and musicals are announced and produced every...
May 25, 2022 • It’s likely that most non-Jews don’t know a thing about the difference between...
May 12, 2022 • Not only is ACT’s current production of Lynn Nottage’s Pulitzer Prize winning play...
May 9, 2022 • Frankly, we’ve been needing a bit of silliness in our lives lately so...
May 1, 2022 • From the Victorian thriller novel to a play to a movie, Gaslight (originally...
May 1, 2022 • SELLING KABUL, the current play onstage at Seattle Rep’s Leo K. Theatre...
April 21, 2022 • Modern audiences and especially younger members of those audiences can have a hard time...
April 10, 2022 • Spitfire Grill is a feel-good musical. It’s a little schmaltzy with...
March 26, 2022 • Ermahgerd! It’s a scary good time at ACT right now with their production of Lucas...
March 21, 2022 • It’s a timely subject tackled by acclaimed playwright Dominque Morisseau in her 2017...
March 15, 2022 • Book clubs probably comes in all shapes, sizes, and tastes. But the stereotype is that snooty...
March 14, 2022 • Oh, honey… It was a tad messy. I’m talking about the opening night of entertainer...
March 10, 2022 • It’s going to be tough, because as a person of the childish...
March 6, 2022 • Review: Red Riding Hood by Allison Gregory. Produced by Seattle Children’s Theatre Through...
February 27, 2022 • They’re back, bitchez!!! You have no idea how good it feels to be able to sit...
February 27, 2022 • Seattle Shakespeare Company decided to open their 2022 theater season...
February 23, 2022 • Review: The Fifth Wave by Lisa Every and Jenn Ruzumna. Directed by...
February 7, 2022 • Well, last week I reported on my first outing in nearly two years to see a...
February 3, 2022 • It’s been almost exactly two years (I’m about 6 weeks shy of that anniversary) but...
December 22, 2021 • Review: We’ve Battled Monsters Before. Book, Music and Lyrics by Justin Huertas. Produced by...
November 3, 2021 • What We Were by Blake Hackler. Produced by Pony World Theatre at 12th...
September 23, 2021 • Review: TERMS OF ENDEARMENT adapted by Dan Gordon based on the novel...
