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June 18, 2022 • If you are a “reader,” and you love how novelists artfully draw...
June 12, 2022 • Hundreds of new plays and musicals are announced and produced every...
May 25, 2022 • It’s likely that most non-Jews don’t know a thing about the difference between...
May 12, 2022 • Not only is ACT’s current production of Lynn Nottage’s Pulitzer Prize winning play...
May 9, 2022 • Frankly, we’ve been needing a bit of silliness in our lives lately so...
May 1, 2022 • From the Victorian thriller novel to a play to a movie, Gaslight (originally...
May 1, 2022 • SELLING KABUL, the current play onstage at Seattle Rep’s Leo K. Theatre...
April 21, 2022 • Modern audiences and especially younger members of those audiences can have a hard time...
April 10, 2022 • Spitfire Grill is a feel-good musical. It’s a little schmaltzy with...
March 26, 2022 • Ermahgerd! It’s a scary good time at ACT right now with their production of Lucas...
March 21, 2022 • It’s a timely subject tackled by acclaimed playwright Dominque Morisseau in her 2017...
March 15, 2022 • Book clubs probably comes in all shapes, sizes, and tastes. But the stereotype is that snooty...
March 14, 2022 • Oh, honey… It was a tad messy. I’m talking about the opening night of entertainer...
March 10, 2022 • It’s going to be tough, because as a person of the childish...
March 6, 2022 • Review: Red Riding Hood by Allison Gregory. Produced by Seattle Children’s Theatre Through...
February 27, 2022 • They’re back, bitchez!!! You have no idea how good it feels to be able to sit...
February 27, 2022 • Seattle Shakespeare Company decided to open their 2022 theater season...
February 23, 2022 • Review: The Fifth Wave by Lisa Every and Jenn Ruzumna. Directed by...
February 7, 2022 • Well, last week I reported on my first outing in nearly two years to see a...
February 3, 2022 • It’s been almost exactly two years (I’m about 6 weeks shy of that anniversary) but...
December 22, 2021 • Review: We’ve Battled Monsters Before. Book, Music and Lyrics by Justin Huertas. Produced by...
November 3, 2021 • What We Were by Blake Hackler. Produced by Pony World Theatre at 12th...
September 23, 2021 • Review: TERMS OF ENDEARMENT adapted by Dan Gordon based on the novel...
March 1, 2020 • Review: The Turn of the Screw. Based on Henry James’ novella and adapted by Rachel...
February 19, 2020 • Review: OUR COUNTRY’S GOOD by Timberlake Wertenbaker based on the novel “The...
February 19, 2020 • Review: BLISS. Book, Music & Lyrics by Emma Lively & Tyler...
February 6, 2020 • Reviw: TRUE WEST by Sam Shepard. Produced by Seattle Repertory...
January 28, 2020 • Review: REPARATIONS by Darren Canady. Produced by Sound Theatre Company with Langston Hughes...
January 23, 2020 • Review: DANCE NATION by Clare Barron. Produced by Washington Ensemble...
January 21, 2020 • Review: THE RIVALS by Richard Brinsley Sheridan. Produced by Seattle Shakespeare Company....
