MENU

Reviews Category

Review: “Is God Is” Serves Up A Revenge That Needs To Be...

September 19, 2019 • It’s September which means we’re suddenly faced with every theater company in the...

The Lion King Revisited: To CGI or Not To CGI…That Is The Question

July 19, 2019 •   Full Disclosure: I had NOT seen the original Disney version of The Lion King or the...

Reviews: “Pass Over” and “Behold the Dreamers” Both Offer Takes On Black Lives...

June 22, 2019 • Review: PASS OVER by Antoinette Nwandu. Produced by ACT. Directed by...

Reviews: LGBTQ Plays Take Center Stage With “Take Me Out” and “Boy”

June 15, 2019 • Review: TAKE ME OUT by Richard Greenberg. Produced by Strawberry Theatre...

Review: “Blackbird” Tackles The Complex Ambiguity Of A Taboo Subject

June 7, 2019 • Review: BLACKBIRD by David Harrower. Produced by White Rabbits, Inc...

Reviews: It’s A Bit “Lifetime TV Movie of The Week” With “The Call”...

June 4, 2019 • Review: The Call by Tanya Barfield. Produced by Seattle Public...

Reviews: A Korean Archie Bunker Lives In “Kim’s Convenience” // Fire Rages In...

May 25, 2019 • Review: KIM’S CONVENIENCE by Ins Choi. Produced by Taproot Theatre....

Review: Sound & Movement Are Key Elements In “Nina Simone” and “Office Hour”

May 11, 2019 • Two currently running theater productions in the greater Seattle Metroplex offer up...

Review: Village’s “Curious Incident” Is Bravura Theater And Worth A Trip To Everett...

May 7, 2019 •   Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME by...

Review: You’re In For A Treat At “Urinetown” (heh heh)

May 6, 2019 • Review: URINETOWN: The Musical. Music & Lyrics by Mark Hollman....

Reviews: Recherching With “The Master and Margarita” and “Anne Frank”

April 24, 2019 • Review: THE MASTER AND MARGARITA by Mikhail Bulgakov. Adapted by Adapted by theater...

Reviews: A Fun “She Stoops To Conquer” and A Modestly Fun “Feathers and...

April 8, 2019 • Review: SHE STOOPS TO CONQUER by Oliver Goldsmith. Produced by Seattle Shakespeare Company....

Review: “Marie, Still Dancing” Needs To Be Still Re-Writing Its Clunky Book &...

April 6, 2019 • Review: Marie, Dancing Still. Book & Lyrics by Lynn Ahrens. Music by Stephen Flaherty....

Review: Seattle Public’s “Dry Land” Is An Emotionally Charged and Dynamic Piece of...

March 28, 2019 • Review: DRY LAND by Ruby Rae Spiegel. Produced by Seattle Public Theater. Directed by Anita...

Reviews: “Trevor” and “Always…Patsy Cline” Don’t Quite Fit The Bill

March 23, 2019 • When I do multiple reviews in one post, I TRY to make sure that there’s some connection...

Review: Experiencing The Spooky Pleasures of “John”

March 22, 2019 • Review: JOHN by Annie Baker. Produced by ArtsWest Playhouse. Directed by Erin Murray. Scenic...

Review: Do We REALLY Need A Sequel To Ibsen’s “A Doll’s House”?

March 21, 2019 • Review: A Doll’s Life, Part 2 by Lucas Hnath and based on Henrik Ibsen’s A...

Review: Stand-Out Acting Propels the Marathon “Angels in America” At Lakewood Playhouse

March 9, 2019 •   The Tacoma-area theatre’s production, told in six acts across two separate shows...

ACT’s “Romeo + Juliet” Has Energy & Teen Angst To Spare, Plus A...

March 9, 2019 •   Review: ROMEO + JULIET by William Shakespeare. Produced by ACT. Directed by John Langs....

Review: “The Woman in Black” Gets The Scare Job Done

March 4, 2019 • Review: THE WOMAN IN BLACK based on the novel by Susan Hill and adapted for the stage by...