Home Arts & Entertainment, Nightlife, Reviews

Reviews

December 6, 2010• REVIEW: Global Dance Party at The Moore wasn’t as diverse or high energy as expected.

December 6, 2010• REVIEW: Starting the holidays right: PNB’s “The Nutcracker” is pitch-perfect.

December 5, 2010• REVIEW: Homo for the Holidays/The Dina Martina Christmas Show/The Judy Garland Christmas Special

December 3, 2010• REVIEW: Dayna Hanson’s “Gloria’s Cause” is revolutionary theater…with a rockin’ beat.

December 3, 2010• REVIEW: Theater Schmeater’s Vestal Virgins is a Riot Grrrl fairy tale.

November 30, 2010• REVIEW: Dancing at Lughnasa is old school blarney corn.

November 29, 2010• REVIEW: Jupiter aligns with Mars; “Hair” brings peace to the planet and joy to Seattle.

November 24, 2010• REVIEW: Seattle Shakes has another winner in “Wittenberg”.

November 20, 2010• REVIEW: Ralph Lemon’s “How Can You Stay…” at On The Boards is both maddening and magical and he’s ok with that.

November 20, 2010• REVIEW: Anne of Green Gables is sweet…very, very sweet.

November 10, 2010• REVIEW: Stomp is a technical and artistic night of musical theater. It’s also hugely entertaining.

November 10, 2010• REVIEW: Twyla delivers once again in PNB’s “All Tharp” offering.

November 5, 2010• REVIEW: Intiman’s “The Scarlet Letter” doesn’t get an “A”…

November 3, 2010• REVIEW: Seattle Rep’s Three Tall Women = One Excellent Play.

November 1, 2010• REVIEW: Evil Dead the Musical is a surprisingly good time at ArtsWest…but, don’t wear your good clothes.

November 1, 2010• REVIEW: Can Can’s “This is Halloween” channels Tim Burton’s “Nightmare” but it’s a bumpy ride.

October 30, 2010• REVIEW: Money Changes Everything at the Annex is a good 100 minute play trapped in a 140 minute not so good play.

October 29, 2010• REVIEW: The Lieutenant of Inishmore is a shaggy cat story that teeters into sketch com land.

October 28, 2010• REVIEW: Pat Graney’s Faith Triptych exposes all at On the Boards, but to little effect.

October 21, 2010• REVIEW: Seattle Opera’s Lucia di Lammermoor is madly divine.

October 20, 2010• REVIEW: GreenStage’s HardBard Macbeth is more toil and trouble.

October 18, 2010• REVIEW: Cafe Nordo gets “Sauced” and the audience gets a noirish night of music, drama, and outstanding food and drink.

October 16, 2010• REVIEW: WET’s Sextet restored my faith in theater…it’s the best play running in Seattle right now.

October 13, 2010• REVIEW: God of Carnage is an empty play fueled by great actors.

October 10, 2010• REVIEW: Seattle Public Theater’s “Mauritius” is the bastard child of Mamet and “Law & Order”

October 9, 2010• REVIEW: Christian Rizzo at On the Boards is a dream wrapped in a nightmare.

October 6, 2010• REVIEW: 5th Avenue’s In the Heights is not your Grandma’s kind of musical; vivid, energetic production has huge appeal for younger audiences.

October 6, 2010• REVIEW: Cherdonna & Lou evolve from schtick to Art School performance piece in “It’s a Salon!”

October 2, 2010• REVIEW: The Village Theatre does their usual splendid job with “The Full Monty”…too bad it’s such a lousy musical to start with.

September 29, 2010• REVIEW: Taproot’s “Wedding Belles” is wholesome, entertaining treacle.