• Rss Feed
  • Facebook
  • Twitter
  • Instagram
  • Pinterest
  • YouTube
Skip to content
Visit Sponsor
Seattle Gay Scene
  • Home
  • News
  • A & E
  • Nightlife
  •  Living
  • Geek
  • Calendar
Home *Seattle Theaterland, Arts & Entertainment, Stage“How To Succeed…” and “The Pride” Lead Nominations For 6th Annual Gypsy Awards Honoring Seattle Theater

“How To Succeed…” and “The Pride” Lead Nominations For 6th Annual Gypsy Awards Honoring Seattle Theater

January 23, 2017• byMichael Strangeways
5thbiz_cast

Eric Ankrim, center in blue suit with the ensemble, earned a Best Actor in a Musical nomination for his work in The 5th Avenue Theatre’s production of “How To Succeed in Business Without Really Trying” in the 6th annual Gypsy Rose Lee Awards honoring excellence in Seattle area theater for 2016. The production earned a total of 9 nominations this year.

A group I’m part of, the Seattle Theater Writers, announced our nominations for the 6th annual GYPSY ROSE LEE AWARDS which honor excellence in Seattle area theater for the 2016 calendar year. Named after the iconic performer Gypsy Rose Lee who was born in Seattle, the awards are unique in that they honor the work of both larger and smaller theater companies. Other awards tend to mostly focus on bigger budgeted theater often ignoring the superb work done by small and fringe theaters in Seattle. For the last six years, the groups has honored theaters and artists in approximately 28 to a high of 33 categories this year, adding “Video Design” to the honorees for the first time.

This year, The 5th Avenue Theatre’s glorious production of the classic 1960s set musical HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING and the intimate gay themed drama THE PRIDE produced by the small but astonishingly productive queer theater company Theatre 22 led the nomination tally with 9 nominations each including a “Best Musical Production” nomination for “How To Succeed…” and a “Best Play Production” nod for “The Pride”.

Other shows racking up big numbers: ACTs compelling boxing drama THE ROYALE and Sound Theatre Company’s production of the musical PARADE each earned 7 nominations. Intiman’s WEDDING BAND and Village Theatre’s BILLY ELLIOT both snagged 6 nominations as did Pork Filled Productions’s charming steampunk adventure play HAND OF TALONS.

Andre Nelson and Trevor Young Marston in Theatre 22's production of "The Pride" which earned 9 Gypsy Award nominations.  Photo Credit:  MR Toomey Photography

Andre Nelson and Trevor Young Marston in Theatre 22’s production of “The Pride” which earned 9 Gypsy Award nominations. Photo Credit: MR Toomey Photography

One of the most astonishing local comebacks is for ArtsWest, the intimate theater space and gallery in West Seattle. Under the new leadership of Artistic Director Mathew Wright and Managing Director Laura Lee, the company has artistically blossomed over the last two seasons with inspired and compelling productions. This year the theater earned six nominations for their production of the musical VIOLET, plus 5 noms for their beautiful version of Arthur Miller’s DEATH OF A SALESMAN as well as 2 nods for their riveting production of Ibsen’s GHOSTS.

Also earning 5 Gypsy nominations: Strawberry Theatre Workshop’s riveting 9 CIRCLES and Book-It’s  time trippy adaptation of the Ruth Ozeki novel, A TALE OF THE TIME BEING.

More about this year’s Gypsy Awards and a complete list of nominees:

Seattle Theater Writers, Seattle’s only critics’ circle, presents the 6th annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters. Our aim in developing the awards is to entice the general public to consider seeing excellent theatrical events at myriad venues they may never have entered before!

Miryam Gordon, head writer-wrangler, says, “We know that human nature seems to love awards and we hope to draw more people to pay attention to (and perhaps even attend) an art form that we love. We also feel that a blended opinion, especially from people who often do not agree, is perhaps a more powerful opinion. If we agree on excellence, we think it means more than any one opinion alone.

“The winners represent coming to a consensus, which can be quite a challenge. It’s not easy to bring people with very different opinions to agreement. We all take these selections quite seriously. Invariably, we each champion different people or productions and sometimes there is vigorous debate before we settle on our slate.”

The winners will be announced Friday, January ​27, 2017.

“2016 ​ was a challenging year, from powerhouse co-productions to the proliferation of tiny companies with mighty visions that continue to populate our cultural landscape,” says Gordon. “Our nominations are an enormous acknowledgement of the vibrancy of our theatrical community.”

Arranged in 33 (one more than last year) categories in two divisions (Large Theaters and Small Theaters), the 2016 Gypsy Rose Lee Award Nominees are (by category, in alpha order by name):

Excellence in Production of a Play:
(Large ​Theaters):
  • 9 Circles – Strawberry Theatre Workshop
  • A Raisin in the Sun – Seattle Repertory Theatre
  • The Royale – ACT Theatre
  • The Winter’s Tale – Seattle Shakespeare Company
  • Wedding Band – Intiman Theatre
(Small​ Theaters):
  • A Hand of Talons – Pork Filled Productions
  • Caught – Seattle Public Theater
  • Death of a Salesman – ArtsWest
  • The Last Days of Judas Iscariot – Sound Theatre Company
  • The Pride – Theatre22
Excellence in Production of a Musical:
  • Billy Elliot – Village Theatre
  • How To Succeed In Business Without Really Trying – The 5th Avenue Theatre
  • Disney’s The Little Mermaid – The 5th Avenue Theatre
  • Parade – Sound Theatre Company
  • Violet – ArtsWest
Excellence in Direction of a Play:
(Large​ Theaters):
  • Greg Carter – 9 Circles (Strawberry Theatre Workshop)
  • Desdemona Chiang – A Tale For The Time Being (Book-It Repertory Theatre)
  • Valerie Curtis-Newton – Wedding Band (Intiman Theatre)
  • Ameenah Kaplan – The Royale (ACT Theatre)
  • Victor Pappas – Mrs Warren’s Profession (Seattle Shakespeare Company)
(Small Theaters):
  • Julie Beckman – Annapurna (Theatre22)
  • Valerie Curtis-Newton – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro)
  • Julia Griffin – In Arabia, We’d All Be Kings (Theater Schmeater)
  • Corey McDaniel – The Pride (Theatre22)
  • Mathew Wright – Death of a Salesman (ArtsWest)
Excellence in Direction of a Musical:
  • Bill Berry – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Andrew Russell – Violet (ArtsWest)
  • Steve Tomkins – Billy Elliot (Village Theatre)
  • Troy Wageman – Parade (Sound Theatre Company)
  • Schele Williams – My Heart is the Drum (Village Theatre)
Excellence in Performance in a Play as a Lead Actor (Male):
(Large Theaters):
  • Gavin Hoffman – The Brothers K (Book-It Repertory Theatre)
  • Conner Neddersen – 9 Circles (Strawberry Theatre Workshop)
  • Alex Silva – Treasure Island (Book-It Repertory Theatre)
  • Jarrod M. Smith – The Royale (ACT Theatre)
  • Adam Standley – Stupid Fucking Bird (ACT Theatre)
(Small Theaters):
  • Erwin Galán – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro)
  • Trevor Marston – The Pride (Theatre22)
  • David Pichette – Death of a Salesman (ArtsWest)
  • David Roby – One Man, Two Guv’nors (Sound Theatre Company)
  • John Q. Smith – Annapurna (Theatre22)
Excellence in Performance in a Musical as a Lead Actor (Male):
  • Eric Ankrim – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Nathan Brockett – Assassins (ACT Theatre/The 5th Avenue Theatre)
  • Matthew Kacergis – Disney’s The Little Mermaid (The 5th Avenue Theatre)
  • Jeff Orton – Parade (Sound Theatre Company)
  • Jesse Smith – Violet (ArtsWest)
Excellence in Performance in a Play as a Lead Actor (Female):
(Large Theaters):
  • Denise Burse – brownsville, b-side for tray (Seattle Repertory Theatre)
  • Mi Kang – A Tale For The Time Being (Book-It Repertory Theatre)
  • Pamela Reed – Luna Gale (Seattle Repertory Theatre)
  • Alexandra Tavares – The Brothers K (Book-It Repertory Theatre)
  • Dedra Woods – Wedding Band (Intiman Theatre)
(Small Theaters):
  • Suzanne Bouchard – Ghosts (ArtsWest)
  • Angela DiMarco – The Pride (Theatre22)
  • Stephanie Kim-Bryan – A Hand of Talons (Pork Filled Productions)
  • Teri Lazzara – Annapurna (Theatre22)
  • Eleanor Moseley – Death of a Salesman (ArtsWest)
Excellence in Performance in a Musical as a Lead Actor (Female):
  • Kate Morgan Chadwick – Bad Apples (ACT Theatre/Circle X Theatre/ArtsWest)
  • Diana Huey – Disney’s The Little Mermaid (The 5th Avenue Theatre)
  • Claudine Mboligikpelani Nako – My Heart is the Drum (Village Theatre)
  • Tori Spero – Parade (Sound Theatre Company)
  • Brenna Wagner – Violet (ArtsWest)
Excellence in Performance of a Play as a Supporting Actor (Male) – any non-lead:
(Large Theaters):
  • Sam Hagen – 9 Circles (Strawberry Theatre Workshop)
  • William Hall Jr. – Sorry (Thalia’s Umbrella)
  • MJ Sieber – The Winter’s Tale (Seattle Shakespeare Company)
  • G. Valmont Thomas – Stick Fly (Intiman Theatre)
  • R. Hamilton Wright – The Royale (ACT Theatre)
(Small Theaters):
  • Moises Castro – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro)
  • Nik Doner – In Arabia, We’d All Be Kings (Theater Schmeater)
  • Doug Fahl – The Pride (Theatre22)
  • Erwin Galán – The Last Days of Judas Iscariot (Sound Theatre Company)
  • Ray Tagavilla – The Last Days of Judas Iscariot (Sound Theatre Company)
Excellence in Performance of a Musical as a Supporting Actor (Male) – any non-lead:
  • Greg McCormick Allen – Singin’ in the Rain (Village Theatre)
  • Justin Gregory Lopez – Paint Your Wagon (The 5th Avenue Theatre)
  • Casey Raiha – Violet (ArtsWest)
  • Adam Standley – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Dane Stokinger – Disney’s The Little Mermaid (The 5th Avenue Theatre)
Excellence in Performance of a Play as a Supporting Actor (Female) – any non-lead:
(Large Theaters):
  • Anne Allgood – Wedding Band (Intiman Theatre)
  • Molli Corcoran – Joyful Noise (Taproot Theatre)
  • Tracy Michelle Hughes – Wedding Band (Intiman Theatre)
  • Claudine Mboligikpelani Nako – A Raisin in the Sun (Seattle Repertory Theatre)
  • Amy Thone – The Winter’s Tale (Seattle Shakespeare Company)
(Small Theaters):
  • Keiko Green – Caught (Seattle Public Theater)
  • Rachel Guyer-Mafune – Puny Humans (Annex Theatre)
  • Meg McLynn – The Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry Project/eSe Teatro)
  • Shermona Mitchell – The Last Days of Judas Iscariot (Sound Theatre Company)
  • Ayo Tushinde – In Arabia, We’d All Be Kings (Theater Schmeater)
Excellence in Performance of a Musical as a Supporting Actor (Female) – any non-lead:
  • Delaney Guyer – Parade (Sound Theatre Company)
  • Mari Nelson – Billy Elliot (Village Theatre)
  • Sara Porkalob – Pump Boys and Dinettes (Village Theatre)
  • Jessica Skerritt – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Jessica Skerritt – Singin’ in the Rain (Village Theatre)
Excellence in Performance as an Ensemble:
(Large Theaters):
  • 9 Circles – Strawberry Theatre Workshop (Norah Elges, Sam Hagen, Sylvester F. Kamara, Conner Neddersen)
  • A Tale For The Time Being – Book-It Repertory Theatre (Khanh Doan, Mi Kang, Mariko Kita, Scott Koh, Kevin Lin, Michael Patten, Rachel Rene, Annie Yim)
  • The Royale – ACT Theatre (Lorenzo Roberts, Jarrod M. Smith, Zenobia Taylor, G. Valmont Thomas, R. Hamilton Wright)
  • Sorry – Thalia’s Umbrella (Macall Gordon, William Hall, Jr., Leslie Law, Terry Edward Moore, Jeanne Paulsen)
  • The Big Meal – New Century Theatre Company (Jonelle Jordan, Darragh Kennan, Maire Kennan, Todd Jefferson Moore, Hannah Mootz, Julian Mudge-Burns, Conner Neddersen, Betsy Schwartz, Amy Thone)
(Small Theaters):
  • Duels – stokes/amador (Daniel Christensen, Marianna de Fazio, Carter Rodriquez)
  • In Arabia, We’d All Be Kings – Theater Schmeater (Draeko Damen, Nik Doner, Brandon Felker, Elena Flory-Barnes, Samuel Hagen, Drew Hobson, Jacquelyn Miedema, Michael Ramquist, Andrew Shanks, Yolanda Suarez, Ayo Tushinde)
  • Puny Humans – Annex Theatre (Patty Bonnell, Kevin Bordi, Grace Carmack, Rachel Guyer-Mafune, Lauryn Hochberg, Cole Hornaday, Kelly Johnson, Ben McFadden, Nic Morden, Heather Persinger, David Rollison, Zenaida Smith, Te Yelland)
  • The Pride – Theatre22 (Angela DiMarco, Doug Fahl, Trevor Marston, Andre Nelson)
  • The Toxic Avenger – STAGEright (Ann Cornelius, Sara Henley-Hicks, Brian Lange, Jessi Little, Nick Michael Watson)
Excellence in Set Design:
(Large Theaters):
  • Michael Ganio – Luna Gale (Seattle Repertory Theatre)
  • Shawn Ketchum Johnson – Daisy (ACT Theatre)
  • Tommer Peterson – The Birds (Strawberry Theatre Workshop)
  • Matthew Smucker – Brooklyn Bridge (Seattle Children’s Theatre)
  • Tom Sturge & David Sumner – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
(Small Theaters):
  • Brandon Estrella – A Hand of Talons (Pork Filled Productions)
  • Silas James – Duels (amador/stokes)
  • Robin Macartney – Revolt. She Said. Revolt Again. (Washington Ensemble Theatre)
  • Michael Mowery – Annapurna (Theatre22)
  • Julia Welch – The Things Are Against Us (Washington Ensemble Theatre)
Excellence in Costume Design:
(Large Theaters):
  • Nanette Acosta – Joyful Noise (Taproot Theatre)
  • Melanie Taylor Burgess – A Raisin in the Sun (Seattle Repertory Theatre)
  • Sarah Burch Gordon – The Trial of Ebenezer Scrooge (Taproot Theatre)
  • Catherine Hunt – Dangerous Liaisons (ACT Theatre)
  • Rose Pederson – How to Succeed in Business Without Really Trying (The 5th Avenue Theatre)
(Small Theaters):
  • Chelsea Cook – Amadeus (Seattle Public Theater)
  • Jocelyne Fowler – A Hand of Talons (Pork Filled Productions)
  • Carolyn Hall – The Wedding Gift (Forward Flux Productions)
  • Helen Roundhill – The Toxic Avenger (STAGEright)
  • K.D. Schill – Puny Humans (Annex Theatre)
Excellence in Lighting Design:
(Large Theaters):
  • Robert Aguilar – Wedding Band (Intiman Theatre)
  • Alex Berry – Billy Elliot (Village Theatre)
  • Reed Nakayama – The Birds (Strawberry Theatre Workshop)
  • Tristan Roberson – A Tale for the Time Being (Book-It Repertory Theatre)
  • Ben Zamora – The Royale (ACT Theatre)
(Small ​ Theaters):
  • Ahren Buhmann – The Pride (Theatre22)
  • Ryan Dunn – Death of a Salesman (ArtsWest)
  • Tess Malone – A Hand of Talons (Pork Filled Productions)
  • Alyssa Milione – Ghosts (ArtsWest)
  • Tristan Roberson – The Things Are Against Us (Washington Ensemble Theatre)
Excellence in Sound Design:
(Large Theaters):
  • Brendan Patrick Hogan – The Birds (Strawberry Theatre Workshop)
  • Sharath Patel – The Royale (ACT Theatre)
  • Kyle Thompson – Treasure Island (Book-It Repertory Theatre)
  • Nathan Wade – Titus Andronicus (Seattle Shakespeare Company)
  • Robertson Witmer – Daisy (ACT Theatre)
(Small Theaters):
  • Erin Bednarz – The Lost Girls (Annex Theatre)
  • Brian Brooks – King Kirby (Ghost Light Theatricals)
  • Erick Johnson – The Pride (Theatre22)
  • Alex Potter – Puny Humans (Annex Theatre)
  • James Schreck – The Things Are Against Us (Washington Ensemble Theatre)
Excellence in Musical Direction:
  • Dan Pardo – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Brandon Peck – The Toxic Avenger (STAGEright)
  • Tim Symons – Billy Elliot (Village Theatre)
  • R.J. Tancioco – Violet (ArtsWest)
  • Nathan Young – Parade (Sound Theatre Company)
Excellence in Choreography or Movement:
  • Scott Brateng – Parade (Sound Theatre Company)
  • Donald Byrd – Medea (Seattle Shakespeare Company)
  • Sonia Dawkins – My Heart is the Drum (Village Theatre)
  • Bob Richard – How To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
  • Katy Tabb – Billy Elliot (Village Theatre)
Excellence in Local Playwriting:
  • Rose Cano – Bernie’s Apt. (eSe Teatro)
  • Laura Ferri – A Tale for the Time Being (Book-It Repertory Theatre)
  • Maggie Lee – A Hand of Talons (Pork Filled Productions)
  • Nick Stokes – Duels (amador/stokes)
  • Seayoung Yim – Do It For Umma (Annex Theatre)
Excellence in Local Composing:
  • Shenandoah Davis – Medea (Seattle Shakespeare Company)
  • Paul Lewis – The Pride (Theatre22)
  • Paul Lewis & Carrisa Meisner Smit – The Crossing (Theater Schmeater)
  • Lauren Wilder – The Mechanics of Love (SiS Productions)
  • Annastasia Workman – To Savor Tomorrow (Café Nordo)
Excellence in Video Design (New Category for 2016):
  • Tristan Roberson – Daisy (ACT Theatre)
  • MJ Sieber – Titus Andronicus (Seattle Shakespeare Company)
The participants in this year’s award process were Candace Brown (goodlifenw.blogspot.com), Miryam Gordon (Seattle Gay News and miryamstheatermusings.blogspot.com), David-Edward Hughes (jetspacemagazine.com/), Rosemary Jones (www.seattletheateranddance.com/), Dusty Somers (contributor for The Seattle Times), Michael Strangeways (www.seattlegayscene.com/), and Nancy Worssam (artsstage-seattlerage.com/).

About the Author: Michael Strangeways

As the Editorial Director/Co-Owner, Michael Strangeways writes, edits and does about a million other jobs for Seattle Gay Scene, Puget Sound's most visited LGBTQ news, arts and entertainment website now celebrating its 14th year as a media outlet. A semi-proud Midwesterner by birth, he's lived in Seattle since 2000. He's also a film producer who would like you to check out the Jinkx Monsoon documentary, "Drag Becomes Him" now available on Amazon.com. In his spare time, he gets slightly obsessive about his love for old movies, challenging theater, "otters", vodka, chocolate, "I,Claudius", Lizzie Borden, real books made out of paper, disaster films, show tunes, Weimar era Germany, flea markets, pop surrealistic art, the sex lives of Hollywood actors both living and dead, kitties, chicken fried steak, haute couture and David Bowie. But, not necessarily in that order.

Related Posts

*Seattle Theaterland • Arts & Entertainment • Award Worthy • Infotainment • Stage

Winners Announced For 8th Annual Gypsy Rose Lee Awards Honoring 2018 Seattle Theater

After a long afternoon of wrangling (and screaming) the Seattle

...

*Seattle Theaterland • Arts & Entertainment • Stage

Seattle Theater Writers Announce Noms For 2015 Gypsy Awards; “Lizard Boy”, “Come From Away” Lead The Pack

Depending on who you ask, 2015 was either a great

...

#Theater and Stage • Arts & Entertainment • Stage

The 3rd Annual Gypsy Awards For Theater Excellence Announce Nominations; “The Wild Party” Grabs 11 Noms

One of my favorite parts of Seattle Gay Scene is

...

Previous: Seattle Red Dress Party 2017 Moves To Capitol Hill’s Century Ballroom
Next: Questions About The Affordable Care Act? Gay City Can Help

Comments are closed.


Seattle Gay Scene is proudly powered by WordPress